Tim Hawkinson is an American artist that was born in San
Francisco, CA, in 1960. After graduating
from San Jose State University, he transferred onto the University of
California where he received his MFA. Hawkinson creates pieces that range in scale
from large to small, and uses his re-imagining of his own body for the source
of many of his pieces, from transforming his ideal of his self-portrait to
using something his body creates like
hair or fingernails. In addition to
using his body for his installations, Hawkinson is also known for using music
and the passing of time; highlighting his theme through the material, technique,
and the process he uses. While the work
may seem simple to the audience that observes it, it’s actually anything but
simple, instead comprised of a complex system entailing such things as
mechanics through hand-crafted electrical circuitry.
An example of piece that Hawkinson re-imaged his image is Pentecost.
This massive piece was created by arranging cardboard tubes into the
shape of a giant tree, and placing robots on the branches and floor under the
tubes. The robots are actually replicas
of himself, and he programmed them to beat out hymns at irregular intervals. Pentecost
adheres to Hawkinson’s theme of creating self-portraits in a fictional
sense, while applying music and programming to finish the piece.
Pentecost, 1999
Polyurethane Foam, Sonotubes, Solenoids, Found Computer Program & Mechanical Components Dimensions Variable Ace Gallery |
On the other size spectrum is Bird, a 2 in. skeleton representation of a bird that is comprised
solely of Hawkinson’s fingernail pairings.
Due to the details and precision
of the skeleton of Bird, Hawkinson
has created a minute piece that actually looks like a skeleton and not at all
like fingernail pairings. In fact, I
feel that the skeleton looks more like something ancient, a very naturalistic
form that embodies that of a bird skeleton even in color.
Bird, 1997
The Artist's Finger Nail Pairings 2"(H) x 2 1/4"(W) x 2"(D) Ace Gallery |
When looking at Hawkinson’s work, I can admire how he likes
to push the boundaries of his own body, showing his body and what it creates in
ways that transform it into something new.
His exploration into his own body must give him an outlet to know
himself intimately, while giving viewers an enlightening experience through his
use of mechanics, separating himself from your typical “body project”
artist.
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